As with most haunted trails, the actors here are generally spaced out to inhabit the scenes and structures that you’ll encounter along the way. While this results in a few “dead spots” in the transition areas, there are still a few occasional cast members dotted throughout the woods to help keep things interesting and unpredictable.
Some of these included an elderly lady who warned us of her bloodthirsty boys, a vagrant who’d lost (or found?) his head and set up shop in a tent under the trestle, and some girl who looked like she’d been half mauled by a pretty large animal. At least, we’re pretty sure they were actors’
While there are some unique special effects here (more on that later), we’d still say this is primarily an actor-driven attraction. We spotted a few newbies that still need some time to find their groove, but the biggest portion of this cast seemed to be seasoned haunters that specialize in theatre and storytelling performance.
For example, the elderly lady mentioned above seemed to be about our age (late 20’s – early 30’s), but her dialogue was broken, soft and slow as to represent that of an older woman. The cult guy before the church also used a whimsical, whispering voice to beckon us further down the trail to his cathedral. Just before entering, he abruptly stopped mid-sentence and started laughing hysterically’ letting us find out the rest for ourselves.
All of the actors with distinct speaking roles were very good at responding to us whenever we’d question their intentions. Painless Parker (the carnival’s resident dentist), for example, made sure to mention he’d take all the drugs for us when we asked if his $0.50 tooth removal would hurt. How thoughtful! Other actors were far less interactive, but filled their roles adequately (we presumed these were the newbies).
One of the most interesting parts of this trail is their “haunt within a haunt,” as we’ve dubbed it. A portion of the derailed carnival includes an old classic, vintage-style haunted spookhouse! Within, we found classic characters such as Frankenstein, a devil and a mummy, among others. Each used period-correct dialogue for these types of scenes and, while there are better phrases in use nowadays, anything much different would’ve likely taken away from the nostalgia of their setting.
Speaking of the carnival, the assorted sideshow critters used varying degrees of dialogue, ranging from a repetitive growl-like screech to doggish growls and grunts (while we were getting peed on, mind you). Others didn’t vocalize at all, but performed other actions as we passed by.
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