Management informed us that there are only a dozen or so actors scattered throughout the 14,000 square feet of the building that’s actively being used as a haunt. Those of you that follow our reviews closely might already be picking up that this isn’t very many monsters to go around. However, with some extensive knowledge of their layout and a few quick costume changes, we can still say that we didn’t go very long without crossing paths with a few members of this highly-energetic cast of characters.
When we say ‘energetic,’ we mean these things were climbing up the walls, disappearing into their hiding spots, popping out through the walls, and laughing hysterically at us throughout most of the tour. Some would stand at the end of a dark hallway where we could see them, then retreat just out of sight in the direction we were headed, while other scenes depicted an onslaught of assailants that came at us from every direction!
Of notable mention here is the fact that Unreal Nightmares gives ‘guided’ tours, but not in the typical sense. Instead of actually leading your group through the haunt, these guides hang out at the back of your group. We thought this was an interesting take on allowing our group to do our own thing, being able to view the scenes as intended (without some weird guy blocking our view), and still following local safety regulations. Way to think outside the box!
A good chunk of these actors wore masks (more on this later), so their use of dialogue was relatively limited, and the stuff they did say was a bit muffled. Though the butcher made it quite clear that he was not one to mess with, and one of the dolls demanded that we tell her why we wouldn’t play with her. We just didn’t have the heart to tell her it was because she was creepy as Hell!
A few of the stand-out tormentors of the tour were the doctor and his restrained victim, the lady in the wheelchair and the victim she shared the hospital scene with, and the creature with the giant mouth on a chain that came after us and got loose as we fled towards the exit.
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